Notes from Mr Rassy

Pop is all over the edges here, and the record is moving with a bright electric charge.

Smooth Criminal is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a classic band that fits our silly mood perfectly, and 'I' is a crowd-pleaser with its catchy melody. After that, Agitation keeps the line moving.

Pop is all over the edges here, and the record is moving with a bright electric charge.

I Drove All Night is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

This track perfectly fits the silly and party mood of our set. After that, Smooth Criminal keeps the line moving.

The record in the air is moving with a loose midnight pulse, which is giving the whole set a silly drift.

Piano Sonata No.10 in G major, Op.14 feels like a shelf-pull with enough weight to make the whole run feel intentional instead of random.

Starting with a doo-wop classic that fits our silly mood perfectly. After that, I Drove All Night keeps the line moving.

The song is all over the edges, with a steady shoulder-roll that fits our silly mood.

Carrying a 1980s charge through the room, giving it depth beyond a modern track.

The Velvets fit perfectly for our silly mood, followed by an energetic live King Crimson set.

New Wave is all over the edges here, and the record is moving with a steady shoulder-roll.

Freedom Of Choice is carrying a 1980s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets, TOOL, Elvis Presley, R.E.M., and Bill Withers fit well with the silly mood and blend classic and modern sounds. After that, The Construkction of Light (Live 2019) keeps the line moving.

The record in the air is moving with a loose midnight pulse, which is giving the whole set a silly drift.

Pulcinella Suite feels like a shelf-pull with enough weight to make the whole run feel intentional instead of random.

The request line called for something funky and the mood is silly, making 'Pushit' a perfect fit. After that, Oye Como Va keeps the line moving.

Jazz is all over the edges here, and the record is moving with a bright electric charge.

Tune Up is carrying a 1950s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are an iconic band with a unique sound that fits well with our current set vibe. After that, Pulcinella Suite - III. a) Scherzino keeps the line moving.

Rock is all over the edges here, and the record is moving with a steady shoulder-roll.

Oye Como Va is carrying a 1970s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets and TOOL tracks fit well with the current mood and queue shape. After that, Tune Up keeps the line moving.

Alternative-Rock is all over the edges here, and the record is moving with a candlelit drift.

Get On Top is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets fit the silly mood perfectly, and their sound is iconic in the rock history. After that, Tune Up keeps the line moving.

Grunge is all over the edges here, and the record is moving with a bright electric charge.

Man In The Box is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

It's a fun, upbeat track that fits the silly mood and will get people moving. After that, Band Introductions (Live at Nippon Budokan Hall, Tokyo, Japan - February 28, 1978) keeps the line moving.

Grunge is all over the edges here, and the record is moving with a bright electric charge.

Man In The Box is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a great fit for our silly mood and the current setlist. After that, Get On Top keeps the line moving.

The record in the air is moving with a loose midnight pulse, which is giving the whole set a silly drift.

That*s the Way feels like a shelf-pull with enough weight to make the whole run feel intentional instead of random.

Starting with a classic track to set the mood and following it up with a modern request to keep things interesting. After that, Oye Como Va keeps the line moving.

Rap is all over the edges here, and the record is moving with a candlelit drift.

Gangsta's Paradise (feat. L.V.) is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting with a classic rock track and following it with a modern alternative rock hit keeps the energy up and gives listeners something new to enjoy. After that, That’s the Way keeps the line moving.

Rock is all over the edges here, and the record is moving with a bright electric charge.

Sad Memory is carrying a 2010s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are legendary for their playful and psychedelic sound, which fits the silly mood perfectly. After that, Gangsta's Paradise (feat. L.V.) keeps the line moving.

The record in the air is crackling with energy, giving the set a playful and whimsical vibe.

Gram Parsons' track feels like a vintage rock anthem, perfectly capturing the spirit of FM radio from the '70s.

Pushit by TOOL is a perfect fit for our current mood and adds an exciting twist to our set. Elvis Presley will cap it off with a classic party vibe.

The record in the air is moving with a loose midnight pulse, which is giving the whole set a silly drift.

The Queen Is Dead (includes "Take Me Back to Dear Old Blighty") feels like a shelf-pull with enough weight to make the whole run feel intentional instead of random.

The Velvets' 'I' fits the silly mood perfectly and provides a nostalgic feel for our set. After that, All Right Now keeps the line moving.

Alternative / Rock is all over the edges here, and the record is moving with a bright electric charge.

Take Me To The River (Live) is carrying a 1970s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

A fun, energetic track that fits well with our current mood and adds some variety to our set. After that, Return Of The Grievous Angel keeps the line moving.

Alternative / Rock is all over the edges here, and the record is moving with a bright electric charge.

Take Me To The River (Live) is carrying a 1970s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting off with a track by The Velvets and following up with a classic rock anthem will keep the energy high and make our listeners feel like they're part of the scene. After that, Life During Wartime (Live) keeps the line moving.

The track is all over the edges with an electric charge, perfectly capturing the alternative spirit.

Billie's song carries a contemporary energy that adds depth to the set, unlike a straightforward modern track.

Pushit by TOOL fits the funky vibe and will energize the crowd. Followed by The Queen Is Dead (includes "Take Me Back to Dear Old Blighty") - medley) for a smooth transition.

Doo-Wop is all over the edges here, and the record is moving with a bright electric charge.

Church Bells May Ring is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets' 'I' fits the funky vibe perfectly and has a great mood for our set. After that, Take Me To The River (Live) keeps the line moving.

Doo-Wop is all over the edges here, and the record is moving with a bright electric charge.

Church Bells May Ring is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets track fits well with the current mood and provides a nostalgic touch for the late-night crowd. After that, I Didn't Change My Number keeps the line moving.

Hip Hop is all over the edges here, and the record is moving with a candlelit drift.

Scenario is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Silly and party vibe, fits well with the current mood. After that, Church Bells May Ring keeps the line moving.

Pop, Rock is all over the edges here, and the record is moving with a bright electric charge.

Hands All Over (Live At The Paramount Theatre, Seattle / 1992) is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting the set off right with a dose of Doo-Wop to kick up the energy. After that, Scenario keeps the line moving.

Alternative & Punk is all over the edges here, and the record is moving with a steady shoulder-roll.

Road Trippin' is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a staple of classic rock and their song 'I' is a crowd-pleaser. After that, Hands All Over (Live At The Paramount Theatre, Seattle / 1992) keeps the line moving.

Rock is all over the edges here, and the record is moving with a bright electric charge.

Suck My Kiss is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets' 'I' is a timeless track that perfectly fits the silly mood and adds some nostalgia to our set. After that, Road Trippin' keeps the line moving.

Classical is all over the edges here, and the record is moving with a bright electric charge.

Götterdämmerung: Act Iii, Scene Ii. "Trink, Gunther, Trink!" is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting with a classic doo-wop track to kick off our silly mood. After that, Suck My Kiss keeps the line moving.

Classical is all over the edges here, and the record is moving with a bright electric charge.

Götterdämmerung: Act Iii, Scene Ii. "Trink, Gunther, Trink!" is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

A nostalgic, party anthem that fits the current mood perfectly. After that, Lullaby keeps the line moving.

Pop is all over the edges here, and the record is moving with a bright electric charge.

Smooth Criminal is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a classic rock band whose music has stood the test of time. 'I' is an iconic track that always gets people dancing. After that, Götterdämmerung: Act Iii, Scene Ii. "Trink, Gunther, Trink!" keeps the line moving.

Psychedelic Rock is all over the edges here, and the record is moving with a bright electric charge.

Iron Butterfly Theme is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The request line demands it, and this track fits the current mood perfectly. After that, Smooth Criminal keeps the line moving.

Jazz is all over the edges here, and the record is moving with a bright electric charge.

Hannibal (Live Album Version) is carrying a 2010s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a timeless band that perfectly matches our silly mood. This track is a party anthem that will get everyone on their feet. After that, Iron Butterfly Theme keeps the line moving.

The record is moving with a bright electric charge, showcasing the band's rock roots.

Carrying a 2020s charge through the room, this album adds depth to tonight's set.

A nostalgic choice that fits well within the current mood of the station.

Alternative-Rock is all over the edges here, and the record is moving with a bright electric charge.

In A Jar is carrying a 2000s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets are a rock and roll legends, and 'I' is a classic track that perfectly fits the silly mood we're going for tonight. After that, Band On The Run (Rough Mix) keeps the line moving.

Jazz is all over the edges here, and the record is moving with a bright electric charge.

Concierto de Aranjuez is carrying a 1960s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets' classic rock anthem is sure to ignite the crowd's energy and bring back some good ol' vibes. After that, In A Jar keeps the line moving.

Classical is all over the edges here, and the record is moving with a steady shoulder-roll.

Ii. Andante is carrying a 1960s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Elvis Presley's timeless classic fits the silly mood perfectly, providing a strong contrast to the classical piece we just played. After that, Concierto de Aranjuez keeps the line moving.

Alternative / Rock is all over the edges here, and the record is moving with a bright electric charge.

Take Me To The River (Live) is carrying a 1970s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets' 'I' fits perfectly with the silly mood we're in. It's a great way to transition into something fun and upbeat. After that, Ii. Andante keeps the line moving.

Rock is all over the edges here, and the record is moving with a bright electric charge.

What's The World Got In Store is carrying a 2010s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting with a classic rock track followed by an alternative metal anthem, then a throwback to the King himself and a soulful R&B number. Perfect energy for a lively late-night vibe.

Rock is all over the edges here, and the record is moving with a slow-burn glide.

All Day And All Of The Night is carrying a 2010s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets' 'I' is a fan favorite and fits well with the current mood of the station. After that, Hands All Over (Live At The Paramount Theatre, Seattle / 1992) keeps the line moving.

Alternative is all over the edges here, and the record is moving with a slow-burn glide.

Breaking The Girl (Edit) is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

A great way to kick off the set with a classic rock track and get everyone dancing.

Art Rock is all over the edges here, and the record is moving with a bright electric charge.

Beauty & the Beast is carrying a 1990s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

The Velvets track fits well within the current mood and aligns with the recent request for something by The Velvet Underground. After that, Piano Sonata No.10 in G major, Op.14 - III. Scherzo- Allegro assai keeps the line moving.

Electronic is all over the edges here, and the record is moving with a bright electric charge.

Messages is carrying a 1980s charge through the room tonight, which gives the booth a deeper grain than a clean contemporary sprint would.

Starting with a track that sets a fun, upbeat mood for the night. After that, Beauty & the Beast keeps the line moving.